I was seven years old when Daniel LaRusso landed the crane kick on Johnny Lawrence that felled martial arts powerhouse (and bully factory) Cobra Kai in the All Valley Tournament. The Karate Kid was the ultimate underdog story. Scrawny new kid in town, tormented by the Cobra Kai clique and their sadistic sensei, gets taken underwing by a wise karate master and wins his way to an unlikely championship despite injury.
Though there were later movies in the franchise, none matched the entertainment value or emotional impact of the first iteration. I was thus amused when YouTube dipped a toe into original programming with the development of Cobra Kai, a kind of “where are they now?” tv series based on the characters. Several weeks ago the first two seasons moved over to Netflix, and I was no longer amused. I was 100% sucked in. It hit all the right notes for fans of the original movie. Interestingly, though, it did so in completely different ways than the film.
The church has been in the pangs of change for a while, now accelerated by Covid-19 and the creativity the virus has demanded. I think Cobra Kai speaks to the ways in which the church can be in the process of taking tradition into account while becoming something new.
Strike a balance between nostalgia and innovation. The backstory of Cobra Kai is familiar, as are much of the soundtrack and many of the pop culture references. But instead of going heavy on the drama, Cobra Kai leans into the humor of two adult men reliving their teen rivalry. For the church to become something new, it will have to decide what essentials it wants to carry forward and what note it wants to strike, then be willing to experiment with everything else.
Look for ways to reach multiple generations. One of the reasons Cobra Kai works is because it’s a multi-generational story. The Daniel-Johnny storyline speaks to Gen Xers, while the budding conflict among their children and students is relatable for younger audiences. Churches can no longer cater primarily to a single generation just because they pay the bills.
Resist the temptation to make anyone one-dimensional. In The Karate Kid, the director clearly wanted audiences to root for Daniel. But in Cobra Kai, we hear Johnny’s interpretation of the conflict and see him interact compassionately (in his own way) with his proteges. We see how Daniel’s obsession with Cobra Kai negatively affects his marriage and his professional life. Neither character is easily categorized. In church we are too eager to pigeonhole people inside and outside the walls and limit the range of perspectives we’re willing to consider. That’s not just a turnoff for many (particularly younger) people, it’s also a denial of the grace that is key to our faith.
Don’t ignore the outside world. Johnny is a technophobe, but he (and the showrunners, who depend on streaming to reach audiences) gradually understands the need for smartphones and social media. Churches, put a hashbrown on your services and announcements and send them to the internet!
Don’t take yourself too seriously. I imagine the showrunners and actors wondered what reaction a comedic series based on a classic drama would garner. It could have backfired, but they made the gamble. Church leaders, spiritual growth is serious business. That doesn’t mean church has to be serious all the time. Take risks, and create space for joy in the process. People will notice and want to join you.
Make room for people’s growth. In the first episode of Cobra Kai, Johnny is a borderline alcoholic whose temper costs him his job. He spends his evenings watching Iron Eagle in a sparsely-furnished apartment with a six-pack of Coors Banquet. He cares for no one beyond himself, except for his son, whom he has pushed away with this absence. We see Johnny grow, though, as he builds up a dojo full of picked-on kids that he at first mocks but becomes protective of. The show doesn’t work without this arc. The church of tomorrow must support newcomers and long-timers in their development as disciples. Otherwise, what are we here for?
Don’t worry about what the other guy is doing. Daniel, Johnny, and their students’ constant tracking of what the opponent is doing and trying to one-up is what leads to the trainwreck at the end of season two. This despite the fact that the two dojos have very different approaches to martial arts and that there’s room in a big city for both. Church, you do you, not the congregation down the street with a totally different DNA.
Oh, and if you need a bit of self-comfort after this cruel summer, look for Cobra Kai on Netflix.
Photo by Charlein Gracia on Unsplash.
